Hell hath no fury
"Raw, graceful, and well-paced, this piece was a treat." - Bloody Underrated (bloodyunderrated.net)
"...a romantic pas-de-deux [...] that artfully showcased the virtuosity of the two performers..." - Danscussions (danscussions.com)
"...a romantic pas-de-deux [...] that artfully showcased the virtuosity of the two performers..." - Danscussions (danscussions.com)
Choreographer: Valerie Buddle
Dancers for the creation/premiere: Emilie Barrette, Mickaël Spinnhirny Music: Nancy Sinatra, Janis Joplin, Arvo Pärt Premiere: an avant-premiere of the work in progress was presented at the St-Ambroise Montreal Fringe Festival, Montreal, Canada, June 2013 “Heaven has no rage like loved to hatred turned, Nor hell a fury like a woman scorned.” These famous words, frequently misquoted as “hell hath no fury like a woman scorned”, were written by English playwright and poet William Congreve in his 1697 play The Mourning Bride. Mia Michaels meets Alfred Hitchcock, suspense meets raw emotion and performance perfection, Hell hath no fury is an emotional duet about love turned abusive. Like a horror movie that builds suspense through its pacing and score, different aspects of the story will be revealed to the audience in time. |
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